Alignments

Being Human
2018
White Neons, transformers, nylon thread
180 x 20 cm

Untitled
2018
Direct print on aluminium
25 cm diameter, 0,5cm

Impermanence II
2016
UV direct Print on aluminium
80 x 40 x 9 cm

The Unfolding
2014
Wood trunk, spray paint, polished stainless steel, glass and stainless steel plinth
170 x 60 x 40 cm

Being Human
2018
White Neons, transformers, nylon thread
180 x 20 cm

Impermanence II
2016
UV direct Print on aluminium
80 x 40 x 9 cm

Walking on the clouds
2015
7 individual photos, print on metallic paper, mounted on board, aluminum frames
213 × 143 cm

In a search for Inner Core
2018
Brass
90 x 90 x 45 cm

Untitled
2018
Direct print on aluminium
25 cm diameter, 0,5cm

Alignments / exposition view
2018

Personal Rainbow
2018
Water, video, light
Dimensions variable

SFER IK, Tulum, Mexico

ALIGNMENTS FEATURING TATIANA TROUVE, ARTUR LESCHER AND MARGO TRUSHINA

APRIL - SEPT 2018

Tatiana Trouvé, Artur Lescher and Margo Trushina explores the human journey through both physical and metaphysical realms. Redefining the spatial and conceptual parameters of the art experience, the organic shapes and meandering expanses of SFER IK’s unique exhibition spaces immerse the visitor in a meditative state, serving as a gateway to discovery and connectedness.

Artur Lescher reveals an invisible spatial structure through the verticality of his suspended sculptures. In this redesigned space the visitor’s perception of matter is questioned by seemingly fluid floor based marble and basalt pieces unveiling infinity.

The relativity of perception is revealed in Margo Trushina’s works. The apparent solidity of rocks is transcended by undulating polished metal shapes projecting matter into movement, while the flickering neon dissolves the illusion of permanence of the bright white human outline.

A 12 meter high adjacent dome built according to ancient principles of sacred geometry is reached through a passageway across a natural water flow. It houses Tatiana Trouve’s 250 Points Towards Infinity, 250 pendulums descending from the heights of the dome in diagonal lines pointing towards an intricate constellation on the ground as if directed by invisible hands.

While dialoguing with the uneven floor and meanders of the first space the artworks operate as poetic gestures orchestrating an explorative journey, the installation in the dome becomes an invitation to meditate in the presence of a metaphoric union of heaven and earth.